Jonathan Parsons
Born 26 May 1970, Redhill, England
Education
2022 University of Gloucestershire, PhD in Fine Art
2017 University of Gloucestershire, Postgraduate Certificate in Research Methods
1992 University of London Goldsmiths’ College, BA Honours degree in Fine Art
1989 West Surrey College of Art and Design, College diploma in foundation studies
Solo Exhibitions & Installations
2022 The Black Drawings, Bunker Gallery, Isle of Wight
2021 Scribble and the Structures of Depiction, Hardwick Gallery, Cheltenham view images
2018 Fossil Ocean Floor, Miltoncourt Farm, Dorking - part of Surrey Unearthed
2017 Scribbles, Diagrams + Combines, Hardwick Gallery, Cheltenham view images
2014 New Paintings, New Art Projects, London view images
2012 Zed’s Dead, Loewe Contemporary, London view images
2011 For John Constable, Harnham Water Meadows, Salisbury view images
2008 Archaic/Logical, Waverley Abbey, Surrey
Light, Aspex Gallery, Portsmouth
2005 Graffiti, Kontainer Gallery, Los Angeles
2003 Jonathan Parsons, Kontainer Gallery, Los Angeles
Works on Paper, Percy Miller Gallery, London view images
2002-3 Grids, Richard Salmon, London
2000-1 System + Structure, The Lowry, Manchester; Quay Arts, Isle of Wight; Stanley
Picker Gallery, Kingston; James Hockey Gallery, Farnham
1999 Recent Work, Richard Salmon, London
1996 Jonathan Parsons, Richard Salmon, London
1994 Jonathan Parsons, Heber-Percy Gallery, Leamington Spa
Selected Group Exhibitions
2022 The 254th Summer Exhibition, Royal Academy of Arts, London
2021 Pacific Breeze II, White Conduit Projects, London
2019 Amsterdam, Wild’s Rents Studios, London
Go With the Flow: Swim Against the Tide, Camberwell Space, London
2018 agency, Eagle Gallery EMH Arts, London
Surrey Unearthed, Leith Hill Place, Surrey
2017 Sea Music in Residence, Poole Museum, Dorset
Collateral Drawing Archive, Margate Washhouse, Margate
Collateral Drawing 5, Strange Cargo, Folkestone
Abstract Remix, New Art Projects, London
The Order of Things, The Wilson, Cheltenham
Show Us Your Process, Bazalgette Room, The House of St Barnabas, London
35 & counting, Aspex Gallery, Portsmouth
2016 Imperfect Reverse, Camberwell Space Projects, London; Ruskin Gallery, Cambridge
Mechanical Abstract, Turps Gallery, London view images
2015 Autocatalytic Future Games, No Format Gallery, London
Geographies, Museo Poldi Pezzoli, Milan
Limited Editions, Lubomirov-Easton, London
2014 Summer Mondays: On the Agency of Unrealized Projects, e-flux, New York
Doors in the Wall, Bearspace and Number 3 Gallery, London
2013 Postcard from my Studio, ACME project space, London
You have 1 mile until you have 6010 miles, Stair/Slide/Space in Tokyo and Kyoto
Musee Imaginaire, C.A.S.E., UCA, Farnham
2012 Mind The Map, London Transport Museum
Meanwhile, John Hansard Gallery, Southampton view images
Government Art Collection Commissions: Now and Then, Whitechapel Gallery, London
see: GAC_Commissions_NowandThen.pdf
2011 The Art of Mapping, TAG Fine Arts, London
Abigail Reynolds and Jonathan Parsons: A Dialogue on Landscape and Constable,
Salisbury Arts Centre
2010 I’ve Watered a Horseshoe as if it Were a Flower, Nicodim Gallery, Los Angeles
Double or Quits, 335 Wick Road, London
2009 The Golden Record, The Collection, Lincoln
2008 The Golden Record, Collective Gallery, Edinburgh
Waldweben, Kasteel Schuurlo, Belgium
ArtVaults Season 4, a space, Southampton
Is there anybody out there?, England & Co. London
British Abstract, Mihai Nicodim Gallery, Los Angeles
The Jerwood Sculpture Prize, Bay Art, Cardiff
2007 Shifting Ground, Angel Row Gallery, Nottingham
The Jerwood Sculpture Prize, The Jerwood Space, London
2006-7 Grotto, Studio 1.1, London
2006 Braziers Workshop Open Day, Braziers College, Oxfordshire:
Paintings, Kontainer Gallery, Los Angeles
2005-6 About Painting II, Galerie Hollenbach, Stuttgart
2005 Art Out of Place, Norwich Castle Museum and Art Gallery
Post Notes, Institute of Contemporary Arts, London; Midway Contemporary Art,
Minneapolis, Minnesota; Florence Loewy, Paris
A Warlike People: Victims or Perpetrators?, Shade Projects at Monorchid Gallery,
Phoenix, Arizona
2004 Jonathan Parsons; Jason Wallis-Johnson, England & Co., London
Green: Jane Harris, Jonathan Parsons, Katie Pratt, Kontainer Gallery, Los Angeles
Martyn Last; Jonathan Parsons, Buro Empty, Amsterdam
Drawing, Kontainer Gallery, Los Angeles
2003-5 Bad Behaviour, Longside Gallery, Yorkshire Sculpture Park; Aberystwyth Arts
Centre; Metropole Gallery, Folkestone; Glynn Vivian Art Gallery, Swansea; The
Hatton Gallery, University of Newcastle; Djanogly Art Gallery, Nottingham;
Tullie House, Carlisle
2003 Side Track (secondary practice), Percy Miller, London
The Map is Not the Territory III, James Hockey, Farnham
As Long As it Takes, Pump House Gallery, London
Approaching Content, Crafts Council Gallery, London; Harris Musuem, Preston
2002-3 The Jerwood Drawing Prize 2002, University of Gloucestershire; The Jerwood Space,
London; mac, Birmingham; Glasgow School of Art; EICH Gallery, Hull; The Lowry,
Manchester
2002 Vivid, Mead Gallery, Coventry; Northern Gallery for Contemporary Art, Sunderland
As Long as it Takes, Angel Row Galley, Nottingham
The Green Room, Percy Miller Gallery, London
2001-2 Vivid, Richard Salmon, London
2001 A Matter of, Aspex Gallery, Portsmouth
Tenable, Newlyn Art Gallery, Cornwall
2000-1 British Art Show 5, Hayward Gallery National Touring Exhibition
2000 Drawing, Percy Miller Gallery, London
See For Yourself, Peterborough Museum and Art Gallery
Ripe, Crafts Council Gallery, London
1999 East Wing Collection, Courtauld Institute of Art, London
Saatchi in Sheffield, Mappin Art Gallery, Sheffield
Furniture, John Hansard Gallery, Southampton; Bluecoat Gallery, Liverpool
1998 Educating Barbie, Trans Hudson Gallery, New York
Anthem, Milch, London
Craft, Aberystwyth Arts Centre
In a Meeting, Grayson House, London
1997-99 Sensation, Royal Academy, London; Hamburger Bahnhof, Berlin; Brooklyn Museum,
New York view images
1997-98 Pictura Britannica: Art From Britain, Museum of Contemporary Art, Sydney; Gallery
of South Australia, Adelaide; Te Papa Musuem, Wellington, New Zealand view images
1997 Craft, Kettle’s Yard, Cambridge
Light, Spacex Gallery, Exeter
Sequence, Richard Salmon, London
Plastic, Walsall Museum and Art Gallery
Building Site, Architectural Association, London
1996 Plastic, Arnolfini, Bristol
1994 The City of Dreadful Night, Atlantis Lower Gallery, London
Every Now and Then, Rear Window, London
1992 The Coventry Open, Herbert Art Gallery, Coventry
Collections
Arts Council of England Collection
Norwich Castle Museum and Art Gallery
The Jerwood Foundation
London Transport Museum
The Leverhulme Trust
MAG collection
Works in private collections in London, Los Angeles, New York, Milan and Venice
Commissions
2018 Surrey Hills Arts: Fossil Ocean Floor - landscape installation
2015 UK Parliament: 2015 Flag Project - national educational project and flag
installation in Parliament Square
2013 Private Collection, Hampshire: Antiquity, Modernity, Contemporary - painting
2011 Salisbury Arts Centre: For John Constable - landscape installation
2011 Guildford Cathedral: Cruciform Vision - painting
2008 UK Government Art Collection: Let Me Count the Ways - architectural
installation, new British embassy, Doha, Qatar
Surrey County Council: Archaic/Logical - landscape installation
2005 Norwich Castle Museum and Art Gallery: Alphanumeric Flags - city-wide exterior
flag installation
2003 Time Out Magazine: Flag for London - flag piece for magazine article
2000 James Hockey Gallery: Babies Blue - interior flag installation
1998 Milch: Commune - interior flag installation
1994 Saatchi Collection: Achrome - flag piece ‘Flags of the World’ Article
Curating
2017 The Order of Things, The Wilson, Cheltenham
2016 Seeing Round Corners, Turner Contemporary, Margate view images
2010 An Orrery for Other Worlds, Aspex Gallery, Portsmouth
2005 Aerial View, international group painting exhibition proposal included in Hayward
Gallery NTE bulletin, see: Aerial View.pdf
2003 Approaching Content, Crafts Council Gallery, London; Harris Museum and Art
Gallery, Preston (with publication)
Published Writing
2019 Systems of Abstraction: production + exhibition, conference paper, Postgraduate
research day, University of Gloucestershire, Cheltenham
2017 ‘Words’ and ‘Things’, essay in Bick et. al., The Order of Things, The Everyday
Press, London, 2017 (ISBN 978-1-912458-00-4)
2015 Bernard Cohen in conversation with Jonathan Parsons, interview & article,
Mythology: Howard Hardiman, catalogue essay, Isle of Wight: Brading Roman Villa
and Howard Hardiman
2014 Learning via Professional Practice, conference paper, UCA course leader’s forum,
Coin Street, London
The Platform Graduate Award, conference paper, HE and the Creative Economy, King’s
College, London
2012 The Semiotics of Cartography: Why maps are such a rich resource for artists,
conference paper, The British Cartographic Society Annual Symposium 2012
Paint is Shit, Garageland magazine, issue 13: Paint (9-771749-926012)
see: Paint is Shit.pdf
Space, Lived: The art of Lisa Traxler, catalogue essay, Lives of Spaces,
artists publication (ISBN 978-0-9571308-0-7)
2011 Artists Resources: The Structure of the UK Visual Arts Sector, conference paper,
‘Mobility of Artists in Europe’, Le Fresnoy, Tourcoing, France
(http://lcpeurope.eu/artist-development/mini-conference/la-malterie/)
2010-11 Uncharted Planet: painting’s cartographic tendencies, Turps Banana magazine,
Issue 9 (ISSN 1749-3994) see: Uncharted Planet.pdf
Monoculture, Waterlog Magazine, Winter issue 2010/11, No. 74
2009 An Attack of the Vapours: Clouds in Contemporary Art (with Paul Carey-Kent),
ArtWorld magazine, Issue 9: Feburary/March 2009
The Karma of Killing, Waterlog Magazine, Spring issue 2009, No. 67
2003 Approaching Content, curator’s essay, Approaching Content, Crafts Council,
London (ISBN 1-903713-09-9) see: Curator's essay.pdf
Residencies
2017 Sea Music Artist in Residence, Poole Museum, Dorset
2006 Braziers International Artists’ Workshop, Oxfordshire
Publications
Matthew Bown
The Absolute Mixture: Shit Art Positive
Divus, Prague, 2021
Andrew Bick, Jonathan Parsons, Katie Pratt, Jo Melvin, Katrina Blannin
The Everyday Press, London, 2017
Bella Easton, Paul Carey-Kent
Collateral Drawing 5
Beaston Projects, London, 2017
Laurence Noga
Imperfect Reverse, Camberwell Press, London, 2017
see: imperfect reverse catalogue 2016.pdf
Peter de Caluwe ed.
Mitridate, re di Ponto
Palais de la Monnaie, Bruxelles, 2016
Beppe Finessi ed.
Corraini Edizioni, Milan, 2015
Jens Hoffmann
Show Time: The 50 Most Influential Exhibitions of Contemporary Art,
Thames and Hudson, 2014
Claire Dobbin
London Underground Maps: Art, Design & Cartography
Lund Humphries, 2012
Maggie Grey et. al.
The Art of Mapping, TAG fine Arts, London, 2011
see: The_Art_Of_Mapping_Catalogue.pdf,
Katherine Harmon
The Map as Art: Contemporary Artists Explore Cartography
Princeton Architectural Press, 2009
Joe Moran
Profile Books, London, 2009
José María Parreño et. al.
Frágil
Museo de Arte Contemporáneo Esteban Vicente, Madrid, 2008
Rachel Campbell-Johnston et. al.
Jerwood Sculpture Prize, Jerwood Charitable Foundation, London, 2007
see: Jerwood_Sculpture_Prize_catalogue_2007.pdf
BIAW
Braziers International Artists Workshop 2006
BIAW, London, 2006
Susan Ferleger Brades, Emma Mahoney
Hayward Gallery, London, 2003
Jane England, Christine Kapteijn
The Map is Not the Territory
James Hockey Gallery, Farnham, 2003
Mark Beasley, Jonathan Parsons
Approaching Content
Crafts Council, London, 2003
Deborah Dean, David Lillington
As Long as it Takes
Angel Row Gallery, Nottingham, 2002
Tanya Harrod, Christine Kapteijn, Jonathan Parsons
Jonathan Parsons: System + Structure
James Hockey Gallery, Farnham, 2000
Judith Bumpus, Pippa Coles, Matthew Higgs, Tony Godfrey, Jacqui Poncelet
Hayward Gallery, London, 2000
Isobel Johnstone et. al.
The Saatchi Gift to the Arts Council Collection
Hayward Gallery, London, 1999
Jonathan Barnbrook ed.
Young British Art: the Saatchi Decade
Booth-Clibborn Editions, London, 1998
Simon Watney, Janis Jefferies, Roy Voss, Joan Key
Craft
Richard Salmon, London; Kettle’s Yard, Cambridge, 1997
Norman Rosenthal et. al.
Royal Academy of Arts; Thames and Hudson, London, 1997
Bernice Murphy ed.
Pictura Britannica
The Museum of Contemporary Art, Sydney, 1997
Neil Cummings, Paul Heber-Percy, Joan Key
Plastic
Richard Salmon, London; Arnolfini, Bristol, 1996
Rear Window
Mirror Mirror
Rear Window Publications, London, 1996
Richard Salmon et. al.
Richard Salmon, London, 1996
Selected Press
2020 Paul Carey-Kent, Abstract Rainbows, FAD Magazine, 3 June
2018 Neil Zakiewicz, Surrey Unearthed, Art Monthly, October 2018
2017 Jonathan Jones, Five of the best, The Guardian, 15 July
Andy Parkinson, The Order of Things, Saturation Point, 15 March
Fiona Grady, Imperfect Reverse, Saturation Point, 18 January
2016 Laurence Noga, Mechanical Abstract, Saturation Point, 25 June
Laura Cumming, The Joy of Life in the Round, The Observer, 29 May
Mark Hudson, An Exhibition of Virtuous Circles, The Telegraph, 23 May
2015 Audrey Watson, Schools take part in Montfort Parliament anniversary flag display,
BBC News Northern Ireland, 18 May
Kaye Wiggins, Primary pupils’ flags on display to greet new MPs, Times Educational
Supplement, 18 May
Anne McGauran, Flags designed by primary school pupils fly in Parliament Square,
Schools Week, 18 May
2014 Judith Duquemin, New Paintings: Jonathan Parsons, Saturation Point, 24 December
2013 Tomislav Todorovic, Achrome by Jonathan Parsons, Flags of the World, 25 May
2012 Paul Carey-Kent, October Beyond the Obvious, Paul’s Art World blog, 23 September
2011 Samuel Muston, Finding a new place for the map, The Independent, 27 October
Anne Morris, Drawn to Constable, Salisbury Journal, 30 June
Laura Moffatt, Cathedral Commissions, Art & Christianity, Issue 66, Summer
Carol Cordrey, Beauty in Spirit, Guildford Magazine, May
2010 Lesley White, Land of Hype and Glory – The Union Jack in British art, Sunday Times
Magazine, 18 April
2008 Paul Carey-Kent, Jonathan Parsons – new work, Art World, Issue 7, October/November
2008 Staff Reporter, Art work unveiled at British embassy in Doha, Gulf Times, 26 March
Charlotte Gould, Les Young British Artists et la domestication de l’art, Cycnos, Volume
25, no. 2
2007 Charles Darwent, Battle for the big time, The Independent on Sunday, 29 April
Charlotte Cripps, The elegant beauty of our railways, The Independent, 28 March
2005 Martin Herbert, sexiness and the city, Modern Painters, November
Dan Smith, CAN.05, Art Monthly, September 2005
Artist’s Anger Over Grounded Flag, BBC News website, 22 June 2005
Staff Reporter, Plans to fly monochrome Union Flag are dropped, Eastern Daily Press,
22 June
Jane Denny, Artist sees red, white and blue over flag ban, Norwich Evening News, 21 June
2004 Patrick Coffey, Bad Behaviour Reviewed, BBC Local Nottingham, 9 November
London Republic Issue, Time Out, 3-10 March
2003 Morgan Falconer, Jonathan Parsons: Works on Paper, What’s On, 12 February
Louisa Buck, Jonathan Parsons: New Works on Paper, The Art Newspaper, February
Charlotte Edwards, Makers and Shakers, Art Review, February
Richard Dyer, Jonathan Parsons: New Work on Paper, Contemporary Magazine, Jan/Feb
Sara Manuelli, Art of Craft, Design Week, 30 January
2002 Morgan Falconer, Jonathan Parsons, Art Monthly, Dec ‘02 – Jan ’03
Richard Dyer, News: London, Contemporary Magazine, December
Louisa Buck, Jonathan Parsons: Grids, The Art Newspaper, November
John Cornall, As long as it takes, [a-n] magazine, July
Pernilla Holmes, Jonathan Parsons: Significant Times, Art Review, April
2001 Alex Coles, Jonathan Parsons, Art in America, July
2000 John Tozer, Vision On, Art Monthly, December/January 2000-1
Sherman Sam, Profile, Art Review, December/January 2000-1
Jessica Lack, Jonathan Parsons, The Guardian, 28 October 2000
Duncan MacMillan, Not So Subtle Wordplay, The Scotsman, 12 April 2000
Robin Young & Jonathan Morgan, Broad canvas for new face of Tate Britain, The Times 4
March 2000
Gaby Wood, This is British Art: The Work, Observer Magazine, 19 March ’00
Izi Glover, Jonathan Parsons, Time Out, 19-26 Jan 2000
1998 Mark Currah, Neil Goldberg, Jonathan Parsons, Time Out, 2-9 Sept 1998
Louisa Buck, LONDON CALLING: Milch Moves South, The Art Newspaper No.83, July-August
The Hot 100 (& front cover image), Sunday Times Magazine, 24 May 1998
John Windsor, Let The Love Affair Begin, Independent Saturday Magazine, 17 January 1998
1997 Maria Alvarez, Red, White and Cool, Telegraph Magazine, 8 November ’97
Courtney Kidd, Pictura Britannica, Art Monthly, November 1997
Richard Dorment, Sensation? What Sensation? Daily Telegraph, 17 Sep ’97
Elaine Paterson, Arts About Face, Time Out, 10-17 Sept 1997
1996 Robert Garnett, Plastic, Art Monthly, Oct 1996
CRITIC’S CHOICE, Time Out, 17-24 July 1996
Sacha Craddock, Around The Galleries, The Times, 16 July 1996
Iain Gale, There Are More Ways of Seeing, The Independent, 16 July 1996
Mark Currah, Jonathan Parsons, Time Out, 10-17 July 1996
CRITIC’S CHOICE, Time Out, 10-17 July 1996
PICK OF THE WEEK, Jonathan Parsons, The Independent, 2 July 1996
1995 Rob Kesseler, The City of Dreadful Night, Untitled, Spring 1995
1994 Tania Guha, The City of Dreadful Night, Time Out, 7-14 Dec 1994
Sacha Craddock, Around The Galleries The Times, 29 Nov 1994
Gareth Jones, Every Now and Then, Flash Art, Oct 1994
Mark Currah, Every Now and Then, Frieze, June-Aug 1994
Mark Currah, Every Now and Then, Time Out, 11-18 May 1994
William Harvey, Every Now and Then, Untitled, Summer 1994
Teaching
2017-present University of Gloucestershire, Cheltenham
2006-2018 University for the Creative Arts, Farnham
2015 Southampton Solent University, School of Art & Design
2014 Arts University, Bournemouth
University of Portsmouth, School of Art
2013 Wimbledon School of Art
Camberwell College of Art
University of the West of England, Bristol
2012 Wimbledon School of Art
University of Portsmouth, School of Art
Bucks New University
2009 Camberwell College of Art
2008 The Arts Institute at Bournemouth
2006 University of Portsmouth, School of Art
2005 University of the West of England, Bristol
University for the Creative Arts, Farnham
Winchester School of Art
2004 Manchester Metropolitan University, School of Art and Design
De Montfort University, Leicester
2003 Manchester Metropolitan University, School of Art and Design
Goldsmiths’ College, University of London
2002 University of the West of England, Bristol
Goldsmiths’ College, University of London
2001-2 Kingston University, School of Fine Art
1999 Ruskin School of Drawing and Fine Art, Oxford
Public Lectures & Panel Discussions
31 Jan 2015 Flowers Gallery, London
Panel discussion: ‘Now, Then: the legacy of reductive abstraction’
Chair: Philip Dodd with Rana Begum, John Carter, Natalie Dower,
Lothar Götz, Peter Lowe, Jonathan Parsons and Richard Plank
A video of the talk can be found here
4 July 2014 Coin Street, London
Conference paper: ‘Learning via Professional Practice’, UCA course leaders’
forum:‘Developing Taught Postgraduate Provision’
24 Oct 2013 Aspex Gallery, Portsmouth
Symposium Chair: ‘Who are we to Judge?’, with Donna Lynas, Director of
Wysing Arts
15 June 2012 Basingstoke Country Hotel, Hampshire
Conference paper: ‘The Semiotics of Cartography’, British Cartographic
Society Annual Symposium: ‘Mapping the Global Village’
22 Nov 2012 Modern Art Oxford
Panel Chair: ‘Platform Graduate Award’, with Sarah Martin, Head of
exhibitions, Turner Contemporary, Jennifer Brown, Director of The China
Shop gallery, Oxford and Lucy Phillips, Arts Coordinator at Oxfordshire
Visual Arts Development Agency
16 Nov 2011 Le Fresnoy, Tourcoing, France
Conference paper: ‘The Structure of the UK Visual Arts Sector’, ‘Mobility
of Artists in Europe’ conference
21 Oct 2011 Aspex Gallery, Portsmouth
Symposium Chair: ‘Winners & Losers’, with artist Rachel Thorlby
17 May 2010 Towner Gallery, Eastbourne
Symposium: ‘Mapping Artists’ Resources’
13 Nov 2009 University of Portsmouth
Symposium Chair: ‘Selection’, with artist David Blandy and Michael Stanley,
Director of Modern Art Oxford
6 August 2008 Aspex Gallery, Portsmouth
Public lecture: ‘Light’
19 June 2008 Fabrica Gallery, Brighton
Symposium Chair: ‘The Art Economy’, with Mark Segal, Director of Artsway
30 Nov 2007 Aspex Gallery, Portsmouth
Symposium Chair: ‘Competition’, with artist Harold Offeh and Hannah Firth,
Director of Chapter, Cardiff and Curator of Wales at Venice Biennale
27 March 2006 Aspex Gallery, Portsmouth
Symposium Chair: ‘The Professional Artist’ with Andrew Wheatley, Director
of Cabinet Gallery
20 August 2003 Harris museum and Art Gallery, Preston
Public lecture: ‘Approaching Content’
4 March 2003 Crafts Council Gallery, London
Curator’s lecture and Seminar: ‘Approaching Content’
22 May 2002 Angel Row Gallery, Nottingham
Public lecture: ‘As Long as it Takes’
18 May 2002 Angel Row Gallery, Nottingham
Artist attendance day for Museums & Galleries Month
28 Sep 2001 Cranleigh School, Surrey
Panel discussion with John Hoyland, Jonathan Parsons and Humphrey Ocean
23 August 2001 Aspex Gallery, Portsmouth
Public lecture: ‘A Matter of’
28 July 2001 The Lowry, Manchester
Public lecture: ‘System + Structure’
3 July 2001 Quay Arts, Isle of Wight
Public lecture: ‘System + Structure’
17 May 2001 Stanley Picker Gallery, Kingston University
Seminar & Public lecture: ‘System + Structure’
13 July 2000 Millais Gallery, Southampton
Public lecture: The British Art Show 5
28 Nov 2000 Surrey Institute of Art & Design
Public lecture, seminar & Panel Discussion: ‘System + Structure’, with
Jonathan Parsons, artist Roy Voss and Jean-Paul Martinon, curator & writer
18 Nov 2000 Newlyn Art Gallery, Cornwall
Public seminar, Jonathan Parsons and Roy Voss in conversation: ‘Recent
Works by Brookes, Quinn, Voss’
7 August 1999 Serpentine Gallery, London
Public lecture: ‘Bridget Riley: Paintings from the 1960s & 70s’